{"id":526,"date":"2026-06-12T12:11:37","date_gmt":"2026-06-12T12:11:37","guid":{"rendered":"https:\/\/surrealico.com\/?page_id=526"},"modified":"2026-11-02T21:08:47","modified_gmt":"2026-11-02T21:08:47","slug":"startseite-2","status":"publish","type":"page","link":"https:\/\/surrealico.com\/en\/","title":{"rendered":"Startseite"},"content":{"rendered":"
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Future and Past<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Surreal Art by Rico Kahmann<\/h1>\n\n\n\n

Some see a wall. Others see a face. <\/p>\n\n\n\n

Kahmann belongs to the latter.<\/p>\n\n\n\n

His art takes shape somewhere between observation, imagination, and a stubborn inability to see things simply as they are.<\/p>\n\n\n\n

What seems familiar at first suddenly behaves rather strangely on second glance:<\/p>\n\n\n\n

Bodies vanish into shapes. <\/p>\n\n\n\n

Lines take on a life of their own.<\/p>\n\n\n\n

And sometimes something appears that definitely wasn't there before.<\/p>\n\n\n\n

You don't have to understand it. Looking is enough for now.<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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Explore All Artworks<\/a><\/div>\n<\/div>\n<\/div>\n\n\n\n
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Three Forms of Expression \u25b8 One Slightly Off-Kilter<\/em> View of the World<\/h2>\n\n\n\n
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Painting<\/a><\/h3>\n\n\n\n

Here's where things get colorful: Bold colors meet bodies, surfaces, and shapes that don't always depict what they're supposed to. <\/p>\n\n\n\n

Much of it happens because the brush would rather go its own way:<\/p>\n\n\n\n

More paint is added, other things disappear, and eventually there's a point when another brushstroke probably wouldn't improve matters.<\/p>\n<\/div>\n\n\n\n

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Graphic Works<\/a><\/h3>\n\n\n\n

Less color, but not necessarily any less strange:<\/p>\n\n\n\n

Lines, light, and shadow are often enough for faces, bodies, or spaces to emerge that weren't really there before.<\/p>\n\n\n\n

The rest happens when you look.<\/p>\n<\/div>\n\n\n\n

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Photography<\/a><\/h3>\n\n\n\n

Photography doesn't always have to show what something looks like. Sometimes, how it feels is far more interesting.<\/p>\n\n\n\n

Movement, blur, light, and strong contrasts dissolve the familiar.<\/p>\n\n\n\n

They turn a real moment into something caught somewhere between reality and imagination.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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Explore the Artworks<\/a><\/div>\n<\/div>\n<\/div>\n\n\n\n
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About the Artist<\/h2>\n<\/div>\n<\/div>\n\n\n\n
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More about Rico Kahmann and the story behind Surrealico<\/a><\/div>\n<\/div>\n<\/div>\n\n\n\n
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Even at school, Rico Kahmann preferred drawing to paying attention in class.<\/p>\n\n\n\n

In hindsight, that probably wasn't such a bad decision.<\/p>\n\n\n\n

He never studied art. <\/p>\n\n\n\n

Instead, he experimented, discarded ideas, painted over things, took photographs, and started all over again.<\/p>\n\n\n\n

And probably spent longer staring at odd shapes, shadows, and objects than is considered socially acceptable.<\/p>\n\n\n\n

Over the years, he developed a visual language of his own. <\/p>\n\n\n\n

Somewhere between surreal forms, bold colors, pared-down lines ...<\/p>\n\n\n\n

... and the nagging suspicion that things might be more than they first appear.<\/p>\n\n\n\n

His works aren't made to come with a ready-made explanation. <\/p>\n\n\n\n

Instead, they can ask questions, unsettle, or simply be enjoyed.<\/p>\n\n\n\n

Some of his art prints have since found their way into private spaces and collections.<\/p>\n\n\n\n

What people see in them is often something quite different from what sparked the original idea. <\/p>\n\n\n\n

And that's exactly what makes it interesting.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"

Surrealistische Kunst von Rico Kahmann Manche sehen eine Wand, andere ein Gesicht. Kahmann geh\u00f6rt zur zweiten Gruppe. Seine Arbeiten entstehen irgendwo zwischen Beobachtung, Fantasie und der hartn\u00e4ckigen Unf\u00e4higkeit, Dinge einfach so zu sehen, wie sie sind. Was zun\u00e4chst vertraut wirkt, benimmt sich auf den zweiten Blick pl\u00f6tzlich ziemlich merkw\u00fcrdig: K\u00f6rper verschwinden in Formen. Linien entwickeln […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"no-title","meta":{"footnotes":""},"class_list":["post-526","page","type-page","status-publish","hentry"],"yoast_head":"\nStartseite - SURREALICO<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/surrealico.com\/en\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Startseite - SURREALICO\" \/>\n<meta property=\"og:description\" content=\"Surrealistische Kunst von Rico Kahmann Manche sehen eine Wand, andere ein Gesicht. Kahmann geh\u00f6rt zur zweiten Gruppe. Seine Arbeiten entstehen irgendwo zwischen Beobachtung, Fantasie und der hartn\u00e4ckigen Unf\u00e4higkeit, Dinge einfach so zu sehen, wie sie sind. 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